.... reader (or listener) that Unferth is nothing more than a spineless bastard. In Grendel we find that Unferth's bitterness is well founded. John Gardner shows Unferth as the most pathetic man to ever call himself a hero. Unferth is degraded once in the apple battle (he was beat by flying fruit for god's sake!!!) and then again in the cave. In the cave Unferth begs Grendel to take his life but Grendel gives him fate worse than death. Grendel leaves him alive and impotent. Unferth knows that he cannot kill Grendel yet he cannot be a martyr to Herot either. All during the first year of Grendel's siege, the smell of apples fresh in the air, Unferth tries to .....

.... sacrifices a part of himself in exchange for the power that it offers him; he becomes an agent of that evil and, in the end, is wholly consumed by it. Marlow on the other hand, is able to resist the temptations that doomed Kurtz; he leaves the Congo with a greater understanding of the mysterious and impenetrable darkness that dwells there yet is, frustratingly, unable to really quantify it in any specific or explicit manner. Marlow's inability to give more than a generalized description of this central subject parallels a corresponding incapacity in Conrad. The vast, abstract darkness that he envisions is too complex and overwhelming to be reduced to a clear or .....

.... outstanding style of writing by the plot, the conflicts and the setting. To begin with, the book or the story is about a fifteen year old man name David Leal that with his family had not other choice but to make a raft and search for freedom, David, Miguel (David's father) and Luis (helped making the raft) were the only ones supposed to get on the raft, but while aborting the raft 'El Toro' (Luis' friend) with the help of Luis got on the raft as well, he was rude, he never had a smile of approbation, David and his dad had to keep up with his bad jokes, and bombastic comments, he also made inveigh comments to the Leals. David and Miguel were disappointed becaus .....

.... comparisons to demonstrate the importance of the real/ ideal dichotomy in the presentation and social acceptance of women. The comparisons I shall make are between: Hamlet and Horatio, and Hamlet and Ophelia; Hamlet and his father, set against Hamlet and Gertrude. These comparisons, I believe, demonstrate the power of male bonding, and show male/female relationships are formulaic in character, defining the woman by categories. Femininity, symbolic of sexual potency and control, must be determined by the male hierarchy. II Hamlet has an ambivalent relationship with Horatio. Hamlet, at first, distances himself from Horatio, and is wary of placing too much trust .....

.... Obrien's If I die in a Combat Zone, the main character struggles to balance his fear with his duty to his country, his town, and himself. "So to bring the conversations to a focus and also to try out in real words my secret fears, I argued for running away," (Combat, 29) the character says. He simply is torn between what he feels is a responsibility, and the many parts of his fear. Afraid of not upholding his pride, afraid of dying in a, "[war that] was wrongly conceived and poorly justified," (Combat, 29), and crippled by, "Doubts...hedged all this: I had neither the expertise nor the wisdom to synthesize answers..." (Combat, 29), the character simp .....

.... even his family. The creature angrily said to Frankenstein, "I can make you so wretched." (pg. 162) Trying to scare Frankenstein for not creating his mate the creature resorted to threats. If the good doctor does create a companion for his first creation he may be endangering others. "The miserable monster whom I had created," (pg.152) says Victor upon looking back at his work. If there is another creature there will be twice the power and possibly twice the evil, which could hurt or kill his family. When and if Frankenstein commits the moral sin of creating another monster he may be rid of both monsters forever. "With the companion you bestow I will quit th .....

.... such as his version of voluntary action. As he says in Book III of Nichomachean Ethics “…the terms ‘voluntary’ and ‘involuntary’ are used with reference to the moment of action…because the initiative in moving the parts of the body which act as instruments rests with the agent himself” (p.53). So, a voluntary action is one about which we have power. Such as, what to eat in the morning, brushing teeth or even life altering decisions about jobs and marriage. Most of our everyday actions are voluntary, since we do not often act outside our realm of power. Aristotle tends to agree that most actions are voluntary and from this fact comes much of the praise we .....

.... to during the play and expounded upon Hedda's death that shows that Hedda's uncertain stance between masculine and feminine gender roles and their associated traits is not tolerated by her society. Ibsen employs a reversal of traditional gender roles within Hedda and Jorgen Tesman's marriage to emphasises Hedda's masculine traits. Hedda displays no emotion or affection towards her husband Jorgen. This appearance of indifference is a trait that is usually common to men: Tesman - "My old morning shoes. My slippers look!...I missed them dreadfully. Now you should see them, Hedda." Hedda - "No thanks, it really doesn't interest me'. In another gender role re .....