.... in the prison. He is alone and lost, he can’t see anything and hear any voice. It makes him feel hopeless and scared. The complete dark pit where the Inquisition shuts the narrator up creates an atmosphere of death and fear. The fact that the pit is an abyss makes the readers think of death. In addition, the ceiling of the prison where a huge pendulum with a scythe hangs shows that the narrator’s life is in danger. The image of death becomes clearer when the narrator finds out that the pendulum is in motion. “But what mainly disturbed me was the idea that it had perceptibly descended. I now observed- with what horror it is needless to say- .....

.... were a treasure or something valuable. The nurse and women are not in agreement with Medea’s view of death. To them, death would be something that lurks around anything and anywhere waiting to strike. "He strikes from the clear sky like a hawk, he hides behind green leaves, or he waits around the corner of a wall"(12). To a Greek woman death is personified as a hunter or killer. She uses an animal, the hawk,to compare to death. A hawk is a swift predator that attacks unnoticed, but to Medea death is a trophy. For Medea death has a value of importance. A friendship has been established. Death is Medea’s friend. She uses it as a weapon to get what she views as .....

.... This will be further explained in the next paragraphs. First, there are some differences between the two stories, starting off with who found Moses in the river. The Egyptians were out to kill the first Hebrew baby boy born to each household. Moses' mother kept him in hiding for three months, but it was becoming too hectic and dangerous, so she placed him in a basket and let it flow down the river. In the book of Exodus, The Pharaoh's daughter finds the baby and asks a housemaid to fetch it from the water. She then contacts with the baby's sister, Miriam who had followed the baby down the river, and tells her to get a woman to nurse it until he gets .....

.... an undercurrent in the sea of themes of The Awakening. The possibility of suicide and even the idea of death darkens the story, making Edna's emotional ups and downs dangerous - her occasional misery leads her to subconsciously think of suicide. She holds the hopelessness at bay by moving out and getting her own apartment, while trying to find a man who will accept her, but in the end she succumbs. Edna's closest physical brush with death occurs one night at the beach, when the summer residents decide to take a midnight swim. Despite having had a hard time learning to swim, she realizes her ability and swims farther out than she ever had before. She overestim .....

.... lived in run down, shabby flats in big cities. The apartments were dark and dreary, which symbolized something bad might happen. These were both times of depression where there was very little money around, so there were many other couples like them. In the beginning, Della is counting her money and crying, which shows she was very poor. Mrs. Loisel often cried a lot, like Della. She cried about not having enough money and about the invitation her husband got for her. Both husbands had similar jobs, both which did not pay a lot. Jim was in love with his wife, and would do anything for her, as would Mr. Loisel. Both couples were very thrifty when it came .....

.... She says "there was a little bit of both in each of these women... if they had been one woman... they would have been a rather marvelous person. But each one lacked something the other had." Morrison, thus, creates two completely different women yet allows them to merge into one. The sustainment of the two selves as one proves difficult and Morrison allows them to pursue different paths. But the two women's separate journeys and individual searches for their own selves leads to nothing but despair and Sula's death. Nel's realization that they were only truly individuals when they were joined as one allows them to merge once again. Morrison portrays Sula and .....

.... the doors of opportunity are not always opened equally to everyone, there are still ways to be what you want to be, go where you want to go, and have what you want to have. And it does not matter where you live, how poor you are. You still have the ability to succeed. As long as you have your health and can think, success is possible. Accepting the fact that the doors of opportunity are not opened equally to everyone, one thing that is equal for everyone is time. There is the same number of hours in the day for all of us. How you use these hours is your choice. You can use them on the playground or you can use them to play the books. Playing on the playground .....

.... a buoyant but unquiet sea . . . I thought sometimes I saw beyond its wild waters a shore . . . now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but . . . a counteracting breeze blew off land, and continually drove me back." The gale is all the forces that prevent Jane's union with Rochester. Later, Brontë, whether it be intentional or not, conjures up the image of a buoyant sea when Rochester says of Jane: "Your habitual expression in those days, Jane, was . . . not buoyant." In fact, it is this buoyancy of Jane's relationship with Rochester that keeps Jane afloat at her time of crisis in the heath: "Why do I stru .....