.... father told him to "live with your head in the lion's mouth. I want you to overcome ‘em with yeses, undermine ‘em with grins, agree ‘em to death and destruction, let ‘em swoller you till they vomit or bust wide open." In other words his grandfather was telling him to conform to the white peoples way of life in order to get ahead. I believe that the story had a deeper meaning than the aforementioned one. I believe that if the reader were to take a deeper look into all of the symbolism in the story, one would find that the summation of all the symbolism is equal to not only the struggle of this one black boy, but the struggle of all blacks at the time in which th .....

.... and magic. Merlin first met him when he was wandering the countryside with his horse, Aster. Galapas soon becomes his teacher and mentor, in spite of Merlin's already having a conventional tutor. In time, he shares all of his knowledge and wisdom with Merlin. "He taught me practical things, too; how to gather herbs and dry them to keep, how to use them for medicines, . . . poisons. He made me study the beasts and birds, . . . and-with the dead deer-I learnt about the organs and bones of the body. . . The map Galapas showed me was a copy from a book by Ptolemy of Alexandria." (The Crystal Cave, Pgs. 59-60) Galapas also helps Merlin to put the meanings of .....

.... a place to stay and the girls without dowry's. As lethal a blow as this may seem, it is coupled by the fact the their brothers new wife is less than sympathetic to the three girls needs. This is when we are first introduced to Elinor and her younger sister Marianne. As usual, Marianne is being her impulsive self and Elinor is trying to take care of her families well-being. A brief synopsis of Elinor and Marianne's personalities leads to the following: Elinor is quiet, soft spoken, full of good manners, and well brought up. Marianne is impulsive, outspoken, full of a vibrant love of life and playful. To fully understand the girls, it is important to .....

.... book progresses, the Youth learns to deal with his shame by feeling honored for being a hero.In the end, the Youth becomes a man. He learns that the most important lessons in life can be seen by opening his eyes. I personally was attracted to the Youth. All his thoughts and wild imagination impressed me. He would describe death as a being that could swallow him whole, and ramble on about wonderful sunsets. The Youth was also a very troubled soul. He worried a lot over things he might do and not the things he would do. For instance, on page 34, he questions others in hope that their answers would comfort him. He feels disassociated from others, "The Youth, con .....

.... versus the evil IT (Burnett 1). "It is a dark and stormy night. Meg Murray, her small brother Charles Wallace, and their mother are in the kitchen for a midnight snack when a most disturbing visitor arrives. ‘Wild nights are my glory,' the unearthly stranger tells them. ‘I just got caught in a downdraft and blown off course. Let me sit down for a moment, and then I'll be on my way. Speaking of ways, by the way, there is such a thing as a tesseract?' Meg's father had been experimenting with this fifth dimension of time travel when he mysteriously disappeared. Now the time has come for Meg, her friend Calvin, and Charles Wallace to rescue him. But can .....

.... into adulthood for many young children. Initiation, or the rite of passage into adulthood, is, according to the theme of Munro’s story, both a mandatory and necessary experience. Alice Munro's creation of an unnamed and therefore undignified, female protagonist proposes that the narrator is without identity or the prospect of power. Unlike the narrator, the young brother Laird is named – a name that means "lord" – and implies that he, by virtue of his gender alone, is invested with identity and is to become a master. This stereotyping in names alone seems to suggest that gender does play an important role in the initiation of young child .....

.... and where this admission is not made in so many words it is most often implied. I believe that the common man is as apt a subject for tragedy in its highest sense as kings were. On the face of it this ought to be obvious in the light of modern psychiatry, which bases its analysis upon classic formulations, such as the Oedipus and Orestes complexes, for instances, which were enacted by royal beings, but which apply to everyone in similar emotional situations. Not Exclusive More simply, when the question of tragedy in art is not at issue, we never hesitate to attribute to the well-placed and the exalted the very same mental processes as the lowly. And finally, .....

.... good does not come from ones social standing but rather comes from their inner value. These novels are considered classics because of their timeless themes. Thomas Hardy's The Return of the Native displays a theme of chance. Book First, chapter 8 contains a perfect example. Eustacia persuades young Johnny Nunsuch into helping her feed a fire. She dismisses him and begins to walk home. Before reaching home, he is frightened by the light coming from the heath and returns to discover Wildeve meeting with Eustacia. By pure chance, Venn discovers the boy and quizzes him. “Then I came down here, and I was afeard, and I went back; but I didn't like to speak to he .....