.... a mistake to marry for any other reason besides love. One way that she shows her feelings on matrimony is by using Elizabeth’s voice as her own to approve of some characters decisions about marriage. Elizabeth’s approval of certain characters shows Austen’s approval, and in this case, Elizabeth approves of the marriage between Jane and Bingley. Jane and Bingley show throughout the novel their genuine affection for one another, and Elizabeth observes about Bingley’s affection for Jane, “I never saw a more promising inclination. He was growing quite inattentive to other people, and wholly engrossed by her… Is not general incivility the very essence of love?” .....

.... first instance of boundaries. This serves as the area in which Calpurnia allows Scout and Jem to play before calling them back home for going too far. The setting of a boundary portrays what will come in the novel. The summertime boundary emerges as the area in which Scout and Jem's games take place. This also accounts for where they meet Dill, another player in their game. The main character, Boo Radley, lives next door to the Finches. None of the children have ever seen Boo, but from the image they construct emerges a vivid character. "Boo was about six and a half feet tall, judging him from his tracks; he dined on raw squirrels and any cats he could catch .....

.... Jane was placed in the red-room, so she curled up with a book. While slowly browsing through Bewick's History of British Birds Jane took a special notice of "the solitary rocks and promontories." (Bronte 2) The reader comprehended Miss Eyre's feelings of desolation and loneliness. After spending a sleepless night in the room, Jane looked out upon daylight to find "rain still beating continuously on the staircase window." Her "habitual mood of humiliation, self-doubt, and forlorn depression" were deepened by such gloomy weather. (Bronte 9-10) Much like the beast's castle in "Beauty and the Beast", Gateshead, Jane's home, appeared to have an evil spell that .....

.... goal at all costs and he must have the characteristics to meet his determination. In the first scene of the play, Richard announces in a narration, his plan to become king. Richard plainly states that he is "Deformed, Unfinished, and sent before his time" and "since he cannot prove to be a lover; he is determined to prove a villain." As a villain Richard must be heartless, he cannot let his emotions interfere with his actions. He must also be intelligent and organized; a villain must know exactly what he has to do, when he has to do it and how he is going to do it. A villain must also be manipulative and persuasive so that if he is accused of a crime or i .....

.... foresight to see consequences of his actions. While walking through the halls of the castle, Macbeth proclaims to himself, "Is this a dagger which I see before me... Thou marshal'st me the way that I was going;" He had tricked himself into seeing a dagger to lead the way to Duncan's quarters. He tried to believe that he did not know what was to transpire when he came upon the sleeping king. He was going to kill Duncan nonetheless, and never even considered the consequences. He only knew that he needed power, but not how to acquire it. While speaking of the advancing enemy, Macbeth says to a servant, "I'll fight, till from my bones my flesh be hacked. .....

.... struggle as a means of transforming her from a petty young woman to a subtle heroine. Lucy Honeychurch is introduced to the reader as a somewhat petty young woman, obviously ignorant to the “ways of the world,” who is being chaperoned by her cousin, Charlotte Barlett, while vacationing in Italy. Numerous conversations over matters of dress, the acceptability of various pieces of furniture, and other’s vacations, suggest the snobbish nature of both Lucy and Charlotte. In fact, matters of convention encompass Lucy’s life until George Emerson’s “caddish,” yet never the less passionate, display of affection in the bed of violets throws her into an internal str .....

.... we know that she is a lady raised from a traditional background. In the story, her attitude changes more than once to accommodate the surroundings that she is in. With the data provided, we can tell that the grandmother goes from not wanting to go to Florida, to anxious to go, and in the end, I felt as if she went off the deep end. All of the sudden, the only thing she really concentrates on is Jesus and her not being killed. The action in the entire story surrounds and normally begins with something the grandmother has said or done. At the very beginning of the story, she starts off by stating that she does not want to go to Florida. She would rather .....

.... by walling him into a niche. The story is told in first person from the point of view of Montresor himself. The exposition of the story occurs when Montresor tells us that he wants to take revenge on Fortunato because “he ventured upon insult.” We also learn that he intends to go unpunished for this act of vengeance. The narrator informs us that he is going to continue to smile in Fortunato’s face, but use the pride his victim has in wine to lure him into the catacombs to taste some of his non- existent amontillado. At this point, the reader knows the conflict will be one of man against man. It is an external struggle because Fortun .....