.... their appetite for this tasty treat called vivisection or cloning. He knew that eventually the progress of society would lead to the all or nothing control of the evolutionary processes. This brings me to one of Wells’ most important ideas that he wanted to tell his readers. That was the idea of vivisection or cloning of humans and animals. In todays world we are trying to control evolution by furthering our studies into cloning. He was right about his expectations of future societies and his ideas about how scientific advancements would affect our world. It was different because when this book was published it got horrific reviews for being t .....

.... communication is almost permanently lost with the surface world. An idea the spacecraft is from the future is shortly lived. Once the Sphere is opened, total anarchy takes control of the scientists lives. A monstrous squid, 15 times the size of a normally larger squid, emerges and destroys the living quarters of the scientists. Now they are forced to live in the spacecraft with all communication lost with the outside world. Killer shrimp, fire, and internal floods follow the introduction of the squid. Barnes is eaten alive by the gigantic squid. After the climax and many deaths the few people left discover whoever enters the Sphere is granted the .....

.... the setting and events of the novel. Tsar Nicholas I (in full Nikolay Pavlovich), Russian emperor from 1825 to 1855, was often considered the personification of classic autocracy; for his reactionary policies, he has been called the emperor who froze Russia for 30 years. Autocracy meant the affirmation and maintenance of the absolute power of the sovereign, which was considered the indispensable foundation of the Russian state. His impulse was always to strike and keep striking until the object of his wrath was destroyed. Aggressiveness, however, was not the Emperor's only method of coping with the problems of life. He also used regimentation, orderliness, n .....

.... to have morality and virtue; we need to be in the world, but not of the world. To illustrate his theme, Melville uses a few characters who are all very different, the most important of which is d. Billy is the focal point of the book and the single person whom we are meant to learn the most from. On the ship, the Rights-of-Man, Billy is a cynosure among his shipmates; a leader, not by authority, but by example. All the members of the crew look up to him and love him. He is “strength and beauty. Tales of his prowess [are] recited. Ashore he [is] the champion, afloat the spokesman; on every suitable occasion always foremost”(9). Despite his populari .....

.... then goes on to compare the novel to Theodore Dreiser's An American Tragedy, declaring that his novel did for the American white as Native Son did for the Negro. Fadiman begins criticizing Bigger Thomas, the main character in the novel. He feels that Bigger is just a stupid fool, having done everything possible to actually get himself caught. Fadiman also writes that Bigger "...knew that the moment he allowed what his life meant to enter fully into his consciousness, he would either kill himself or somebody else." Fadiman then goes on by criticizing Wright stating that he is too explicit, repetitive, and overdoes his melodrama from time to time. Fadima .....

.... of her at the Buchanan's mansion, he is at once drawn to her appearance. He Notes her body "extended full length" on the divan, her fluttering lips, and her quaintly tipped chin. He observes the lamp light that "glinted along the paper as she turned a page with a flutter of slender muscles in her arms." He is willing to overlook her gossipy chatter about Tom's extra- marital affair, and is instead beguiled by her dry witticisms and her apparent simple sunniness: "Time for this good girl to go to bed," she says. When Daisy begins her matchmaking of Nick and Jordan, we sense that she is only leading where Nick's interest is already taking him. It is Jordan, t .....

.... by the irony present in the story. For instance when Oedipus pronounces his curse upon the head of King Laius’s murderer in the opening scenes of the play : So will I fight on the gods’ side, And on the side of the slain man! But my curse be on the one who did this, whether he is alone Or conceals his share in it with others. Let him be free of no misery if he share my house Or sit at my hearth and I have knowledge of it. On myself may it fall, as I have called it down! -Oedipus from Oedipus Rex When Oedipus pronounces this sentence he has already unwittingly judged himself, and to the excitement of the crowd foreshadowed later events t .....

.... something external to Dorian, but also as a voice within him (Bloom 107). Dorian continues to lead a life of sensuality which he learns about in a book given to him by Lord Henry. Dorian's unethical devotion to pleasure becomes his way of life. The novel underscores its disapproval of aestheticism which negatively impacts the main characters. Each of the three primary characters is an aesthete and meets some form of terrible personal doom. Basil Hallward's aestheticism is manifested in his dedication to his artistic creations. He searches in the outside world for the perfect manifestation of his own soul, when he finds this object, he can create masterpie .....