Part 1 of Essay
"What about the reality of the everyday world and the reality of painting? They are not the same realities. What is this creative thing that you have struggled to get and where did it come from? What reference or value does it have, outside of the painting itself?" Ad Reinhardt, in a group discussion at Studio 35, in 1950. ....

Part 2 of Essay
.... areas of color, with the intention to reveal his desire to instill visual form with the properties of music. By 1915, Malevich had invented a new, abstract visual set of paintings consisting of one or more colored geometric shapes on a white field. He visualized a state of feeling, and a sense of bliss and wonder. Mondrian took a different approach with tighter geometric orientation and stricter compositional order. He was also inspired by landscape but he interpreted it as a series of interlocking vertical a ....