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.... to the characters of Ma, Young Tom, and Rose of Sharon. At the onset of the novel we see the Joad family struggling just to keep their immediate family together. They are focused on just themselves. By the end of this wonderful book we see the Joad family branching out in many different ways to embrace all of mankind as one big family. Ma Joad’s main concern at the beginning of the story is her family. She wants to keep the unit together and works diligently to achieve this goal. However, one by one, family members leave the group for various reasons leading to the slow but sure disintegration of the Joad clan. The first to go is Noah; then Grandpa .....

.... his adolescence as "the short and simple annals of the poor." (p 30). His father Thomas was a farmer who married Nancy Hanks, his mother, in 1806. Lincoln had one sister, Sarah, who was born in 1807. The Lincoln family was more financially comfortable than most despite the common historical picture of complete poverty. They moved to Indiana because of the shaky system of land titles in Kentucky. Because the Lincoln's arrived in Spencer County at the same time as winter, Thomas only had time to construct a "half-faced camp." Made of logs and boughs, it was enclosed on only three sides with a roaring fire for the fourth. The nearest water supply was a mi .....

.... helper, and supporter of man, "A Doll's House" introduced woman as having her own purposs and goals. The heroine, Nora Helmer, progresses during the course of the play eventually to realize that she must discontinue the role of a doll and seek out her individuality. David Thomas describes the initial image of Nora as that of a doll wife who revels in the thought of luxuries that can now be afforded, who is become with flirtation, and engages in childlike acts of disobedience (259). This inferior role from which Nora progressed is extremely important. Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize the nee .....

.... we are looking too carefully? If we were to take a step back, we should see that Mary Shelley’s Frankenstein is nothing more than the not uncommon story of the average teenager. This isn’t to say that the novel is not a work of art, rather, it is quite possibly the best prose ever written by an eighteen year-old. But the fact of the matter remains. Mary Shelley was eighteen going on nineteen when she wrote Frankenstein. Taking this into account, it becomes more apparent that Shelley was not commenting on social aspects of her time or the feminist movement that her mother helped create, rather, she was simply expressing her feelings as a teenager, as so m .....

.... stop ceremonially for restoration. The Phoenix burns itself by choice and rises again. Old Phoenix stops on her journey to rest, after doing so she appears to be showered with youth. "Phoenix left the tree, and had to go through a barb wire fence. There she had to creep and crawl, spreading her knees and strecthing her fingers like a baby trying to climb the steps." Wetly relates Phoenix to the bind many times in the story directly and indirectly. She was also described as a "solitary bind." Phoenix's age and color also symbolizes the bind, a golden color ram underneath and the two knobs of her cheek were illuminated by a yellow burning under the dark. Her .....

.... must raise the child. Both stories make use of the popular nineteenth century motif of the orphaned child who must make his or her own way in an antagonistic world (Dunleavy 242). Besides the absence of a mother figure, both sisters spent most of their lives in isolation on the Yorkshire moors, another important influence on the novels (Abbey and Mullane 414). Rebecca Fraser, a biographer of the Bronte family, believes that they clearly preferred a reclusive lifestyle admist the primitive beauty of the moors (23). By comparison, the bleak, lonely moors of Yorkshire serve as the same setting for two of the greatest novels of the nineteenth century, Jane .....

.... Ralph is the most mature and responsible member of the boys, for he is concerned throughout the book with keeping the fire on the mountain going, and building shelter. " If a ship comes near the island they may not notice us. So we must make smoke on top of the mountain. We must make a fire." pg,37 Ralph always has the strong belief that all the children will be saved from the island sooner or later, but at middle part of the story he begins to doubting it. At end of the story, after the death of Piggy, Ralph’s encounter with the Lord of the Flies, he knocks over the pig’s skull. " A sick fear and rage swept him. Fierc .....