.... or if Mr. Mason is going to live or die. That is why Charlotte Bronte used violence to create this kind of suspense. So a person would be interested enough in the novel to keep reading. The mystery is a mystery itself, there is a secret at Thornfield and Jane can sense this. Then there is the mystery of the person who committed this act of violence. Jane suspects who it might be, but she is not for sure. To find out the mystery of the house and the person who did it a person has to solve it. Finally, there is the characterization of Bertha. From the way Rochester talks about Bertha at first she seems pretty normal, but he says how she become after they get m .....

.... working as cheap labor in the neighboring country, but Amabelle's story serves to refute those words spoken about the nameless and faceless of the earth. In this book, they are remembered, and in her story they do have names and faces. The Farming of Bones is a term the Haitian field workers use to describe their life of cutting cane. While Amabelle is fortunate enough to be working as a household servant to a wealthy Dominican family, most of her friends toil for the sugar mill owners. They have left Haiti and come to the Dominican Republic because their job prospects at home are even bleaker than in their adopted country. And so this book is very much .....

.... to see how Shakespeare manages to create stories with such everlasting appeal. In Hamlet, Act 1, Scene 1 proves to be a vital element to understanding the play. One important task it serves is to determine the mood of the play. From the beginning of the scene, the reader is aware of the atmosphere of mistrust and uncertainty lingering in the air. When the reader is first introduced to the main characters outside the castle, they are suspiciously asking each other to identify themselves. Everyone seems to be on edge from the start, as if anticipating something. Another factor that reveals a mood of wariness and caution is how the night is dark, the air is .....

.... the legendary Isle of Devils, dreaded by superstitious sixteenth-century sailors. William Strachey describes which precipitated the ship's "wracke" in a letter dated July 15, 1610: "a dreadfull storme and hideous began to blow from out the North-east, which swelling, and roaring as it were by fits, some houres with more violence than others, at length did beate all light from heaven; which like an hell of darkenesse turned blacke upon us, so much the more fuller of horror." The "Sea Adventure" was rebuilt on the island, which was not as menacing as the storm itself, and nearly a year later the ship rejoined the fleet in Virginia. By many .....

.... cultural, and ethical beliefs, accepted practices, and basic laws. This book affects all people who hear it. It is a fascinating literary masterpiece. Beginning in the New Testament the Bible moves from strict enforcement, punishment, and prophecy, into the glorious presentation of the Son of God. He is spoken of hundreds of times in the Old Testament through symbols and prophecies -- all pointing to the future and the coming of Someone. The Old Testament cannot be read without being aware of that constant promise running through each page. Someone is definitely coming. In opening the Gospels, that Someone comes forth in the fullness of his glory, .....

.... in his article "The sublime of the closet; or Joseph Conrad's secret sharing." That the secret that is shared with the reader is that the captain and Leggett are involved in a homoerotic relationship. … in scenes replete with touching, groping, mingling, and clasping, "He caught hold of my arm, but the ringing of the supper bell made me start. He didn't though; he only released his grip" … For whose glances "mingle" and whose hands meet "gropingly" and linger "united in a steady and motionless clasp" except the glances and hands of lovers? (Casarino 235) Casarino seems to use the language of the story to make his point. He makes assumptions t .....

.... must give up her job because of her legs, and one day her daughter comes to the house. Slowly she tells her story to the narrator. How the younger brother is working now, and how she is taking care of Sarah. The narrator offers her some clothes and some money and invites her inside for a cup of tea. When she is about to leave, she starts crying and can only mutter that her mother is very ill. Unsure of what to do, the narrator hands her a handkerchief. B) An Essay About the Text: The setting in this story is South Africa in the 1950's. Apartheid and segregation are words that describe the conditions under which the blacks (the native Africans) live perfectly. .....

.... life is spent with her father, Mr. Grierson. Two cousins visit her a while after her father’s death, but otherwise no other family members are mentioned. Emily's father has great control over her actions. He has power to keep her from finding a life outside of his: "We remembered all the young men her father had driven away." Emily learns through her relationship with her father that the only way to love is through power. He dies when Emily is about 30 years old, and, while it gives her freedom, she mourns his death. The power held over her, which Emily interprets as love, is gone. Emily never experiences a normal relationship. The townspeople do .....